Here's where we post periodic updates on what we've been up to at Fathom. Reflections on the interesting stories that emerge from our client work, side projects, after-hours rabbitholes, and other miscellaneous threads of inquiry.
I found Fathom through a data visualization course at college that was taught by a statistics professor, so my first exposure to information design was through the lens of statistical analysis. I spent most of my time in that class making sure the data was not misrepresented, and working through particularly challenging pieces of code. The more complicated the analysis or the code, the better I felt about the project, and I wanted that complexity to show in my end product. If the code worked and did something cool, then I was happy.
Last Thursday, we joined the studios of Design I/O and Sosolimited for a second annual gathering. All three teams met in Salem at the historic House of the Seven Gables, and spent the day sharing recent projects and discussing topics centered around the convergence of art and technology.
Last Friday, we had a chapter of Girls Who Code, a group of 20 girls between the ages of 15-18, in the studio for a visit. They shared great tips on how a succulent garden could really liven up our studio space, and gave a convincing discourse on why the chocolate chip is superior to the raisin, but more importantly they asked tons of really thoughtful and insightful questions about our projects, process, and goals here at Fathom.
From digging into data visualization libraries to exploring the capabilities of custom shaders, folks at Fathom are always looking for ways to improve their computing skills. This summer, several of us are learning Python.
In between the release of No Ceilings and working on Space Monkeys & Tiger Wine, I visited Kew Gardens, home to the most diverse collection of plant species in the world. While reading up on the gardens in preparation for my trip, I came upon a recent paper by four female researchers looking at the gender gap in the field of botany.
We're pleased to announce the release of the No Ceilings data... in 3D. Yes, we know everything is cooler in 3D (the IMAX, Jurassic World, printing, real life), but our decision to represent the No Ceilings map as a 3D globe for mobile devices is better attributed to the design and processing limitations of phones rather than an attempt at enhancing our street cred.
In celebration of the 40th anniversary and special re-release of the famous movie that made us afraid to swim in the ocean, we present Jawsography, an interactive app that analyzes the cinematography of the 1975 film, Jaws.
We're pleased to announce the launch of our latest project, Space Monkeys and Tiger Wine: A Look at Global Animal Trade. Built for National Geographic, the project explores the quantity, purpose, and primary locations of trade for thousands of animal species around the globe. Between the exchange of duck livers for homeopathic flu medication, ground turtle shells for anti-aging remedies, and deer glands for their fragrant musk, more than 27 million animals were traded worldwide for reasons you've possibly (and we had certainly) never imagined.
Last weekend I participated in an annual Bike-A-Thon hosted by Bikes Not Bombs, which is a non-profit that runs youth programs in the Boston area. The organization teaches kids how to build and fix bicycles, and they also run an international program that sends bikes to developing regions in Africa.