No Ceilings: The Full Participation Project is committed to using data as comprehensive evidence to measure the status of gender equality around the world. Our latest video for the Clinton Global Initiative uses data to demonstrate the progress of women and girls since the UN World Conference on Women in 1995. While the video gives a high level summary of CGI-related topic areas, we found it important to share a more granular, interactive version of the findings that fed into the piece.

Education

As the initiative is gathering data on the participation, completion, and performance of boys and girls in school, we looked at the indicator that preceded the rest of the success measures: access. In 1995, girls had less access to primary school than boys, and the disparity was most drastic in areas like Sub-Saharan Africa and South Asia. Over the last two decades though, net primary enrollment for girls has grown by 25% in both regions.

Download data (.csv)

The video features net enrollment ratios rather than gross enrollment ratios so that we can understand the proportion of students who are not in school who otherwise should be. Net ratios measure the number of students who are enrolled in school within pertinent age groups, while the latter gross values measure the total children enrolled regardless of age—meaning repeaters and students entering school at an early age can distort the actual disparities that exist between genders.

The map above displays secondary enrollment rates for girls, revealing darker (lower) rates for girls in places like Sub-Saharan Africa and South Asia. Built into a rotating globe in the presentation, countries populated with relevant time-series data throughout the course of the video. The globe acted as a constant seam that stitched together additional layers of country-level information.

Wages

Comparing income between genders is complicated because it often overlooks the larger structural factors that influence the imbalance. For instance, a disproportionately high number of women are employed in part-time labor as opposed to men, which affects the average monthly and annual salaries between genders. Women are also often employed in different occupations and sectors then men—so a gap in income may reflect the disparity of pay between jobs or economic sectors rather than a pay gap for men and women with the same position. All this being said, the contextual nuances probe a larger question: why don’t women have the same occupations as men?

Download data (.csv)

Even in OECD countries (generally considered to be developed nations), we see a disparity in average annual salaries between men and women. In Ireland, the OECD country with the most “equal” median annual wages, women still earn 3.5% less than men.

 

Unpaid labor

Another imbalance in the workforce is reflected through the amount of time spent in unpaid labor, that being defined as the number of minutes spent on routine domestic work, care for household members, care for non household members, volunteering, and other unpaid tasks. There is data available for a smattering of the OECD countries along with a few others, and in every case, women spent significantly more time on unpaid labor than men. The trend influences the larger gender disparities that exist in the workplace.

There are very few countries worldwide that actually report this data. In fact we have record of only 29 countries in full. Data represents the efforts of governments to report on the status of its citizens. The failure to collect and share information suggests either a shortage of resources to do so, a government’s lack of value for its citizens, or a hesitation to publish the reality of the results. The absence of data and transparency regarding gender disparities in the workforce points to the greater issue—why are there so few countries collecting and publishing gender disaggregated information on the labor force?

Download data (.csv)

 

Workforce

For an accurate understanding of labor force participation rates (LFPR), it’s important to learn the context behind the numbers. The indicator below measures the share of men and women aged 15+ that are a part of the work force. Countries with the highest LFPR for women—like Afghanistan, Albania, and Algeria, where female participation rates exceed 85%— often reflect the lack of freedom and agency of women to choose an alternate path. Extraordinarily high LFPR rates suggest that women don’t have the liberty to complete secondary education, or to select a career with room for advancement.

At a global level and in the following countries, however, the longstanding gap between men and women’s participation in the workforce reflects the greater gender imbalance in economic participation.

Download data (.csv)

A recent study takes the gap in LFPR one step further, and measures the potential economic gains various countries would experience if they equalized employment between genders. While the available data only supports a story on national gains to GDP, the study also correlates women’s participation in the workforce to improvements in literacy rates, access to education, and infant mortality rates.

Download data (.csv)

At 34%, Egypt would experience the greatest percent growth in its GDP by equalizing LFPR. Ranking second, India would increase its GDP by 27%, yet because its economy is so much larger, it would undergo the greatest monetary increase of the countries involved in the study. We measured GDP in purchasing power parity as a metric to compare and normalize economic gains across countries over a single year, 2012.

Download data (.csv)

We filtered a tremendous amount of data down to a handful of high-level talking points, yet it’s important to understand the context, nuances, gaps, and limitations that inform the global stories. Keep an eye out for additional insights on the data. There will be more trends, subtleties, and correlations coming your way.

See video Gains and Gaps: No Ceilings Data Visualization

Today we are announcing the Mirador Data Competition, the goal of which is to make discoveries in large and complex public datasets. The good news is we have been developing a program to help you make these discoveries, it’s called Mirador.

The competition is from September 28th to October 28th, mark your calendars. During this time you can continue to upload findings to your user account from the app. Visit the competition page for complete instructions on how to get started.

The Sabeti Lab is offering cash prizes for the top three findings, which will be chosen by a jury of experts in the respective domains of each dataset.

The official Mirador Data Competition video, check it out below:

We have chosen four public datasets in the areas of health, sports, and global development:

Each one of these datasets is very rich in complex relationships between literally thousands of variables, and even though some of them have been extensively studied by specialists, there is more to be discovered. We also want to highlight the importance of open data as an enabler for transparency and public participation in research, governance, journalism, and economics, just to name a few areas. Please visit the competition website, create an account, and start exploring correlations to win cash prizes!

Last, but not least, we would like to thank the work of our summer interns at the Broad Institute, Mahan Nekoui, who implemented the user submission system, and Tom Silver, who created the intro video.

We’re thrilled to announce our latest project for the Clinton Foundation’s No Ceilings: The Full Participation Project. The video, released this morning at the Clinton Global Initiative (CGI), outlines advancements and setbacks of women and girls over the last twenty years, with particular focus on their access to education and economic participation.

The No Ceilings project is a collaborative effort led by the Clinton Foundation and the Gates Foundation, and it’s committed to using data to evaluate the advancements and challenges facing women and girls since the 1995 UN World Conference.

Our initial data exploration for this year’s CGI centered on educational progress and economic disparities for women and girls. Investing in equal education across genders has positive implications for the health of individuals, communities, and nations as a whole. Further, giving women equal access and participation to educational resources generates greater benefits for national economies. As stated at the conference this morning, “the value of sending your daughter to school is not rocket science.”

Global gap between boys and girls in primary and secondary school education

We’re excited about the project’s commitment to using data to give a comprehensive view of gender equality in the world today. In the words of Melinda Gates, “behind all of these data points are real lives.”

Stay tuned for more on our continued work with No Ceilings: The Full Participation Project.

See process post

September 18, 2014

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What began as a quick presscheck turned into spending the day with Elias Roustom, the Master Printer of EM Letterpress, who is making our new business cards.

Stepping into the shop, the smell of ink brought me right back to my days in the printshop at art school. EM has four Original Heidelbergs, as well as a Vandercook for large format jobs like posters.

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Elias pulls a print from a Heidelberg to see how the paper captured the ink.

Service gaps in the commuter rail schedule “prevented me” from leaving the shop. I learned how some of the mechanics function in the Heidelberg presses, which are really amazing machines. The first Heidelberg debuted in 1913 and many are still running today.

It was also neat to see an experienced printer work through the whole process of a run. It was a stark contrast to when I was in school, and we spent the day messing around with different printing techniques.

If you are asking yourself, “why a whole blog post for just a business card?” (or even if you aren’t) let’s see what Christian Bale has to say.

For more letterpress photos check out EM’s flickr account.

September 11, 2014

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I had some early experience with the problems of a well-tempered scale. Within a few months of learning guitar, it seemed some chords just didn’t sound good unless the guitar was tuned especially for them. This got me interested in the way harmonies and scales are constructed from pitches and frequencies.


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Pitch fever allows you to visually compare the frequencies used in different tunings, and then hear the difference. On bottom is an octave divided into even sixths with a just intonation scale above it. The dots and bars show which notes are currently playing, and their combined waveform is shown at the top.

Briefly, harmonies are groups of notes that sound good together, and they are often based on simple fractions. Scales can be built with simple fractions too, by either applying the math to a single root note, or by repeatedly using the same fraction. However, scales built from the repeated fraction (called “just intonation”) end up with combinations where the notes collide and don’t sound as nice.

A well-tempered scale solves this problem by using a single rule for every interval between notes. This compromises the purity of the harmony, but avoids the nastiest collisions of just intonation.

But what does a well-tempered scale really sound like? I’ve heard various recordings using both kinds of scales, but didn’t have a feel for how bad the dissonances could get with just intonation, or how far away an even-tempered interval could be from a true harmony. I was curious about how simple fractions build into scales, and also wanted to know the fractions that are not used.

To answer these questions, we now have pitch fever. It’s a little HTML5 tool that explores the fundamentals of harmony while comparing some basic scales and the tunings behind them.

September 09, 2014

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Continuing our fascination with color naming across cultures, we set our summer intern, Malika Khurana, on a journey to discover new colors. Color naming, no matter your language, is a verbal process. So one of the driving interests was to see how this could be integrated into a mobile app using speech recognition. In this post, Malika retells her adventure.

The World Color Survey (WCS) was an anthropological study conducted in the 1970s that used color to study the effect that culture may have on language. Field workers surveyed 2,696 native speakers, representing 110 unwritten languages, by asking them to name each carefully chosen set of color chips (many of which are difficult to categorize into our basic colors in English).

Terrence and I took the 330-question survey and found the results compelling. We expected that some colors would be closer in comparison to others, but didn’t expect to have different words for the same colors.

Comparison of my and Terrence’s detailed color profile.
Malika and Terrence’s survey results show on the left comparisons of color blocks that were given the same name, and on the right similar colors that had different names.

For the most part, my colors are consistently darker than his, possibly because I didn’t name a single color “black”. The two of us have very different ideas of what teal and violet are. After some investigation, my “teal” is closer to the dictionary definition of teal, but violet is more loosely defined as anything between purple and blue on the color wheel. No one here supports color brainwashing though — teal is whatever you want it to be!

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We both made up our own names for the unappealing range of greenish yellows (“badness” and “gross”), and when it comes to light blues Terrence uses the the sky as a reference while I reference the water. This may be because I was a competitive swimmer for ten years so I’ve always felt some innate connection to water.

Malika’s complete results after taking the survey.
Malika’s complete survey results.
Terrence’s complete results after taking the survey.
Terrence’s complete survey results.
An example of one of the languages from the World Color Survey where the participant collectively used only three color terms to describe the entire color spectrum.
This graphic is a sample of the results from the World Color Survey. The three color blocks highlighted are results from one language in which the people used only three color terms to name the same colors Malika and Terrence were shown.
These are the 330 Munsell color chips that participants were asked to name in the World Color Survey and in our Colorful Language app. Courtesy of the WCS.
These are the 330 Munsell color chips that participants are asked to name in our Colorful Language app. Image courtesy of the World Color Survey.

Building the app

When I arrived at Fathom, Ben and Terrence approached me with an idea to take the WCS one step further. They wanted to create an app that would make it easy for anyone to take the World Color Survey. The main difference from the WCS is that our app focuses on how people name colors differently within the English language. For example, what I call teal is different from Terrence’s definition of teal.

I built the app in Processing for Android, along with some Android and Java libraries, as it seemed like the easiest route given my previous experience with Java. It was convenient to be able to pull from any of the libraries and implement the same thing at least two different ways, but at times it was tricky to figure out which of those ways was best.

We chose to implement the survey using Android’s built-in speech recognition. Speaking your responses makes the survey easier to complete, and it doesn’t limit users to those who know how to spell. It is also closer to how the original WCS was administered, verbally and in person. Besides, it’s fun to make people think you’re crazy when you’re on the train enthusiastically shouting colors into your phone.

“Blue.”

“Aquamarine!”

“MAUVE!!”

I found a handy example for using Android’s speech API, and then I was off! When you speak a color into the speech recognizer, the app suggests up to three possible words it thinks you said. The WCS looked for single word responses, so I coded the speech recognizer to return up to three possible words and then omit compound words or capitalized duplicates (the speech recognizer counts “blue” and “Blue” as different words). The app then displays the top three remaining results so one can be confirmed.

The app flow for naming a color

Aside from the obvious motivation to name 330 colors in the survey as a way to help us better understand human perception and culture, we considered ways to encourage users to complete the entire survey we created a live updating “color profile” that grows as you name more colors and acts as a UI element.

Visualizations of your color profile data update every time you name a new color.

Each block of color in the detailed color profile is a pixel-by-pixel composite of each of the colors that were given the same name. From far away you can see what your average “peach” looks like, while close up you can see each of the different colors you’ve named “peach”.

From far away, your eyes adjust and average the colors, kind of like a pointillist painting.

To create the color profile I had to regenerate and render a mini data visualization every time the user names a new color, essentially on every page. I very quickly learned the importance of efficient for-loops, especially when rendering such heavy images. To further improve efficiency, the app only downloads a user’s color profile from the server when it is first launched. Once the app is running, it stores and updates that information locally as the user continues to name subsequent colors, and only sends updates to the server to keep it in sync.

A few years ago, webcomic xkcd conducted their own survey to see how people name colors differently.

We have more hypothesis we’d like to test so please, if you have an Android, download the app here and read our other posts about the color kit and the color “grue”.

September 04, 2014

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This is a post by Lee Cusack, our summer intern and recent graduate of Lesley University’s College of Art and Design. We’ve had an awesome time working on a project with him that sheds light on making face-to-face *conversation* universally accessible. (Photo captions by Terrence)

I was born with Spastic Quadriplegic Cerebral Palsy, a brain paralysis that causes stiff muscle movement and exaggerated reflexes, which apart from the rest of my body, makes it difficult to move my tongue and touch my lips together when speaking. This impairs my ability to communicate with anybody that hasn’t spent a lot of time learning my vocalizations. Needless to say, navigating the workplace, where face-to-face interaction is essential for learning and productivity, can be daunting.

The Let’s Chat! mobile app is a tool for teaching other people how to converse with me. It compels me to speak more often, thereby keeping my mouth moving to prevent muscle atrophy, and where other communication aids use pre-programmed phrases to simulate fluid conversation, the Let’s Chat! app allows me to freely articulate my thoughts and express myself.

It works by instructing the listener to follow three personalized steps:

  • Step 1, I speak a word and you say it back to me. If I nod yes, then we repeat Step 1.
  • If you don’t understand, then continue to Step 2 by asking me to spell it. If you don’t understand a letter continue to Step 3.
  • In Step 3 the letters of the alphabet are arranged and grouped by their frequency of usage in the American-English language and further tailored to suit my linguistic habits.

When conversing for the first time we typically spend more time on Step 3. As you begin to grasp the nuances of my voice and the rhythm of my speech we use the first two steps more often.

Lee's tattoo
Here’s Lee getting a tattoo in 2011. In case you were wondering about how sure he is that the letters are grouped and ordered to his habits, he got them tattooed on his arm.

The Lets Chat! design has been evolving over the past few years. It began as a simple business card, but as an app, it will soon offer those with similar speech impairments the ability to create profiles to customize their own unique letter groups and personalized instructions. It helps keep my personal life and business world alive, making it easier to freely engage with other people and create equal ownership of conversations.

Human interaction allows one to see outside themselves, share knowledge, gather ideas, reflect inward, reorganize concepts, and imagine new paradigms. This process is necessary for well-being and individual growth, but with my impairment, having to rely on computer-based touch-to-speak devices can severely filter the exchange of communication and become a detriment to my health.

touch-to-speak

Having used computer based touch-to-speak devices, I find them to be clunky, difficult to operate, complicated to program, outdated, and extremely expensive. They limit self-expression by utilizing generic pre-programmed phrases to communicate for an individual, robbing them of the attention and articulation we all deserve when expressing ourselves. My education in design and programming has given me the tools I need to envision a new mode of communication aid that works better for me and those I converse with.

During the prototype stage, we decided to build a web app (instead of a native mobile app) to make design iterations easier, and so the app would be usable on both iOS and Android devices.

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The app in action at Step 3… James asks “Is is a vowel?” Lee nods yes. James asks “Is it A? E? I? O? U?” Lee nods yes after U. James taps the letter U and guesses “Is it purple?” Lee nods yes.

After developing an initial prototype with input from the Fathom team, we did user testing with others in the studio. For the test, people used the Let’s Chat! app to help me complete the Color Survey. The informal sessions shed light on areas to be improved around wording and usability. For instance, the instructions on the business card need to be refined further for the mobile environment. What’s the right length? Where and when should they appear in the process? In addition, people sometimes misunderstood or skipped steps entirely. Overall, the sessions went well, and these insights will help me further develop the app. For the first time in a long time, I was able to speak one-on-one with people who had never before been introduced to my vocalizations.

Now that a solid framework of the Let’s Chat! system is functioning, the next step is to test ways of guiding users through the process. Tightening up ambiguities in the instructional language will make the system less confusing. Further iterations of the UI will improve how one navigates through the letter groups, allowing for more eye contact. Since I’m not able to physically interact with the app, I’ll pursue more user testing as I make iterations on the design.

If you’d like to follow along or contribute to this project please check it out on Github.

August 29, 2014

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This year we held a mini-conference in Portland, Maine with local friends and neighbors Sosolimited and  Design I/O for an opportunity to review projects, exchange ideas, and share working methods.

Welcome
Our first glimpse of Maine

Portland, Maine became our destination because of its two hour separation from Boston, its small town atmosphere, and its many gastronomic choices. Besides, co-founder of Sosolimited, J-roth, a.k.a. John Rothenberg, has some good friends up there, and these good friends had great recommendations on where to go to enjoy the best of Portland.

When we arrived at the Westin Portland Harborview Hotel, we dove right into our agenda.

Fathom’s Terrence and Alex discussed the recently released urb.ag, an application created in conjunction with the City of Boston that provides zoning information on where urban commercial farms can be developed.  The app’s release coincided with the groundbreaking of the city’s first commercial urban farm, the Garrison-Trotter Farm in Roxbury.

Next up, Sosolimited presented Project Ara, a collaborative effort with Google to create a holistic approach to personal cell phones. The project reimagines the current one-piece model, and revamps it for a more intuitive approach with several pieces that can be customized for the user.

Lastly, Design I/O discussed their work on John Lennon: The Bermuda Tapes, an immersive app that tells of John Lennon’s sailing journey to Bermuda, which allowed him to fully realize his artistic vision with the help of written letters from his wife, Yoko Ono.

allcongress
Group lunch at Congress Squared

After the long day we spent inside a dark hotel conference room, we were excited to hit the town and partake in some of Portland’s bar and restaurant offerings.

The overall vibe of this retreat was lighthearted, fun, and engaging. Moreover, we had the opportunity to enjoy mouthwatering food at Congress Squared, some exquisite wood roasted espresso at the Speckled Ax, delightful cocktails and snacks at Alpine & Hunt, and superb Sicilian food at Slab. We were also lucky to have been able to fit this trip into all of our busy schedules, and to have had the chance to be in the company of our talented and multifaceted friends.

DonotDump
No dumping into the city’s drain system as it could affect the availability and taste of the lobsters

 

August 20, 2014

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In June we released Mirador, a tool for visually exploring complex datasets, enabling users to infer new hypotheses from data and discover correlation patterns. Mirador is a collaboration between Fathom and the Sabeti Lab, which is part of the FAS Center for Systems Biology at Harvard University.

This past month, a group of infectious disease researchers from Nigeria and Senegal have been working with the Sabeti Lab, as part of the ACEGID Genomics Training Program in genomics and pedagogy. Andrés introduced Mirador to them and led a workshop to have the scientists start interacting with the tool. I had a great time assisting in the workshop; listening and observing for ways in which we could further tailor Mirador to help the team in their work.

DSC_92031
Andrés shows the researches that Mirador is available for them to visualize data from epiSampler, a tool they are already using in the field to collect data from patients with infectious diseases. epiSampler was also developed by the Sabeti Lab and has been used to track samples back to their lab in Cambridge, MA.

photos courtesy of the Sabeti Lab

The Sabeti Lab studies infectious diseases, and has initiatives focused on hemorrhagic fevers like Lassa and Ebola. Colleagues at facilities they have established in Sierra Leone and Nigeria have given them a jump start in caring for Ebola victims. Currently, no ideal treatment exists for Ebola and sterile and contained environments for taking care of people are difficult to come by. One of their labs, at the Kenema Government Hospital in Sierra Leone, is able to collect samples and deactivate the virus before shipping it to the Sabeti Lab where they carry out full-length genome sequencing. The data is then made available in an effort to create more collaboration.

After the workshop, Dr. Pardis Sabeti gave a talk titled “Genomic Surveillance of the 2014 Ebola Outbreak,” which was an overview of her lab’s ongoing work with Ebola that they have been tirelessly combating this summer.

Pardis modestly reminds us that her lab is playing a small part, which would not be possible without the collaboration with colleagues on the ground in West Africa who are risking their lives to care for their families, friends, and neighbors.

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At the last minute Pardis’ presentation had to be moved into a larger auditorium to accommodate the turn out. There was a lot of interest and excitement, and many words of praise from the audience as they asked questions afterwords.

While the Ebola outbreak is a tragic story, we are enthusiastic about the research the Sabeti Lab is doing. In the coming months we will be working to visualize the spread of disease and navigating the many variables that could be affecting its reach.

August 08, 2014

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There is a core pedagogical foundation here at Fathom. Whether it be through our fascination to learn new coding languages, adapt the ones we know, or critically reflect on our design work or that of others. We also love learning from our fellow colleagues in the field, as we did recently on a creative retreat with sosolimited and design I/O — more on that soon. This summer things got a bit more formal in terms of teaching and learning, for myself, and for the studio.

HSG
HSG

This summer we started a Fathom code workshop on Friday mornings. The first session was designed for those of us who are a bit more novice; we have been learning the beauty of python and it’s new mode in Processing. This class has been led by James Gilles (aka High School Genius) who is working at Fathom on the development of Processing.py with Jonathan Feinberg. James is also preparing for his first year at MIT in the fall so keep an eye out for that kid. It’s been really great working in the Processing environment with the Python syntax. I’m also reading Learn Python the Hard Way by Zed Shaw, to supplement my learning. Things are going really well and we’re all excited to continue with the workshop this fall. I know many of us would love to start using the recent release of p5.js and are jockeying to get Lauren or Dan in the office to teach more workshops.

hello.p5js.org
Dan Shiffman – hello.p5js.org

While a student in the Fathom code workshop, I also experienced the other side of the classroom. For the past six weeks I have been teaching an Interactive Design course at Boston University. This class met on Mondays and Wednesdays from 6-9pm, and it focused on interactive design methodologies, design thinking, authorship and prototyping. Here is a caption from the syllabus:

This course — Interactive Design — explores interactivity between people and designed objects. Projects address how to create conditional experiences, responses, and/or exchanges that rely on a user’s input. Solutions will be pragmatic and speculative.

BU Interactive Design class photo
BU Interactive Design class photo

This course has been incredibly rewarding and challenging. It has helped me understand my own process and has helped others articulate their design process. It’s been a delight to see formal and intellectual progress in an accelerated 6 week class. Students ranged from having little to no experience with design principals, to students who are heading into their senior year in the design program and thinking about their thesis. I was thrilled to see the learning trajectory in each of the students’ final presentations. They showcased self-authored content that reconceptualized the mobile operating system on phone and tablet devices and then translated those concepts into a large scale interactive installation. I saw great breakthroughs in design thinking beyond traditional models of interactivity. Students explored themes from contextual awareness to object detection to multi-sensor computer vision.

I am looking forward to more teaching and learning opportunities at Fathom and beyond. Keep an eye out for new workshops at Fathom — there are also rumors of us expanding workshops to the public or in some type of MOOC format. Stay tuned…